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 Reflections on Ian McEwan's novel, Lessons Way back in the 1970s, when I was in my 20s, I chanced upon a book that affected me profoundly. Here at last, I thought, is a writer who lives in my world, with all its weirdness and complexity, and can convey it beautifully in prose. The book was First Love, Last Rites, a collection of short stories by a guy called Ian McEwan, and I became an instant fan. Since then, I’ve read most, though not all, of his work – most recently his longest novel of all, Lessons. Lessons is basically a biography of Roland Baines, who has much in common with McEwan – same age, same upbringing, same boarding school education – though presumably McEwan was never tutored at the piano as is Roland, with a complete sex education thrown in. The wonder of Roland, a ‘serial monogamist’, is that he’s not a superhero, just an average guy who muddles his way through life, reacting to situations such as being abandoned by his wife and left with their tiny baby while she goes off to become a famous writer. In a way, Roland is summed up by his part-time professions – tennis coach for the elderly, greeting-card writer and piano player of ‘munch music’ in fancy London hotels; a jack of all trades but master of none. Yet Roland’s a likeable guy, and we tend to root for him as he tries to lose his virginity at the age of 14 before the Cuban missile crisis destroys the world because he doesn’t want to die a virgin. He also smuggles books and records into East Germany before the Wall comes down, avoids using the London Underground after terrorist bombs go off and sits out several lockdowns due to the Covid pandemic. It’s a strange feeling when you’re reading about a fictional character and suddenly think “The author’s writing about me!” So it was as I read about Roland near the end of Lessons: “He was plausible within the digital age, like a man in a cunning disguise, but he remained a citizen of the analogue world.” The epic scale of this novel brings to mind the marvellous Any Human Heart by William Boyd, which follows the life of a writer against a similar backdrop of world events during the 20th century. These references to shared problems of the past help us as readers to sympathize with the protagonist’s inability to steer a comfortable course through his existence. As for the ‘Lessons’ of the title, like the rest of us Roland doesn’t seem to learn from his experiences, whether they be joyful or painful, though he does revisit the most powerful emotional connections from his past, namely the piano tutor and his estranged wife, for poignant end-of-life reunions. On another level, I wonder whether McEwan is hinting that we humans should learn lessons from the tragic world events that chart the course of this book. Towards the end, his concerns are with the unchecked future of Artificial Intelligence and the fact that we are now beyond preventing a 1.5-degree temperature rise that many say will signal the end of our species. I can’t help but think that McEwan wanted to publish this work before it is too late and we are expelled from Planet Earth for not learning our lessons.
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For anyone unable to attend my recent Teak Talks in Chiang Mai, I have prepared a YouTube presentation of the same content. Just click on the link below and enjoy!  Upcoming talks in Chiang Mai If you are going to be in Chiang Mai in the near future, please come along to my TEAK TALK at the Suriwong Bookstore (25 Feb) or at Payap Lifelong Learning Center (1 March). Details below. Also, here's a link to a short interview (7 mins) about the book TEAK LORD with Pim Kemasingki of Chiang Mai CityLife magazine: https://www.facebook.com/ron.emmons.56   Now that my novel Teak Lord is flying off the shelves of bookshops and zipping sightlessly into Kindles and other e-readers, I feel it's time to offer a bit of insight to the background of the book. For that reason, I'll be posting a few short articles that go behind the scenes of the novel, beginning with Tracking the Teak Lord – Part one: the tree, the history and the characters.
 If you're interested in Southeast Asian history, I hope you'll check out my brief reviews of five of my favourite books that explore colonialism in Southeast Asia, which is posted on a newish website for book lovers called shepherd.com. The website seems to be making a big effort to put titles that readers will relish in front of their eyes. One small warning; the bookshop.org links don't actually link to most books!
https://shepherd.com/best-books/exploring-colonialism-in-southeast-asia  Happy writer – now a novelist! I'm happy to announce that my historical novel, Teak Lord, has been published on Amazon. The ebook is available for pre-release at just $0.99 until 10 October 2022, when it will revert to the list price of $4.99.
The paperback and hardback editions will also be released by Amazon on 10 October, while residents of Thailand can order these directly from me. Full details on the next page. I understand that for a self-published book to be successful, it needs a dozen or more positive reviews, so PLEASE help it on its way if you enjoy this gripping tale.  I’m sad to hear of the death of Keith Mundy, a long-time friend and colleague, from prostate cancer in Bangkok.
I first met Keith in around 1975 when we were both living in hippy ‘squats’ in Sydenham, London – vast Victorian mansions adapted to a lifestyle radically different from their original intention, with their servants’ quarters, tennis court in the garden and so on. We were never really close (Keith was always something of a loner) and we might never have met again if we had not shared the dream of teaching English abroad as a way to an exciting life, which we then both followed. On the road from Mandalay Win Win “It’s a win-win situation;” joked motorbike rider Win Win as we shook hands on our deal, “you take picture of beautiful Burma and I buy medicine to make my mother well”.
And that’s pretty much how it turned out, apart from losing Win Win at critical moments of the trip. He had a maddening habit of forgetting when he was supposed to pick me up, leaving me fuming at times when I thought he had abandoned me altogether. We were standing on the steps of the 79 Living Hotel in Mandalay, and after some friendly haggling, we agreed that I would give Win Win eighty US dollars and he would take me everywhere I wanted to go on his motorbike for the next three days. My hitlist included the ancient cities around Mandalay, the hill station of Pyin Oo Lwin to the east and the cave temples at Po Win Taung, way out west, and Win Win knew them all, so off we went.  A collection of short stories  Image by Justin Otto, Flickr Back in the 1980s, I studied an M.A in English (Emphasis: Creative Writing) at San Francisco State University. As part of the requirement for the degree, I wrote a collection of short stories called In Transit. I recently pulled out a copy of this long-forgotten work, dusted off its yellowing pages, and have decided to share these stories on my website. They are mostly based on my own experiences and observations in Africa, South America and the USA, mixed with a heavy dose of imagination to be able to call it fiction. You’ll find these stories in a new section of my website called Short Stories, which I’ll be adding to as I dictate/transcribe the stories. I have begun with four stories, all set in Africa, and below is the first one--Beyond the End of the Road. I’ll be glad of any feedback that you would care to give. Happy reading! Lost and found in the Sahara I stood, literally, at the end of the road. The fresh tarmac ended in a neat ledge above the golden sand, and a clear blue sky pressed down on all horizons. From here, tyre tracks fanned out southwards into the vastness of the Sahara. It was only mid-morning, but already the sand burned my toes, which stuck out of my sandals. I pulled my pack under the sparse shade of a tree beside the last petrol station for 400 kilometres. All was silent, except for the rustle of leaves in a limp breeze. Every journey has its point of no return and this had to be mine. I had followed the thin vein of my dream, a red line on a Michelin map of Africa, to where the road ended and the dust began. Beyond lay mystery—the infinite spaces of the Central Sahara, the biggest sandpit in the world and ghost of lush forests in former ages. I had arrived the night before at In Salah just in time to see the bus pull out for Tamanrasset, the next stop on my route. The official told me the next bus was not for ten days. I wandered around the oasis. Mosquitoes droned above a stagnant pond surrounded by crumbling mudhuts and sagging palms. I walked out into the desert before lying down to sleep on my mat. In Salah—if God wills it. If God wills it, I will get a ride out of here tomorrow. If He wills not, then I will not either. Dancing in the desert  Image by Alan J. Hendry (Unsplash) Way back in 1975, I embarked on a life of adventure. My first move was to leave my native England and take a job as a volunteer teacher in Sudan. I was part of a group of 50 native English speakers who were hired by the Sudanese government to improve the level of English in high schools throughout the country. I was assigned to teach in Sennar, a town on the Blue Nile to the south of Khartoum.
I was supposed to spend a few days in Khartoum for orientation before taking a train to Sennar, but what with attempted coups and a heavy rain season, I had to spend a month in the capital before any trains started running. When I eventually got on the train and set out on my big adventure, I had plenty of time to write, so I got out my pen and began to scrawl the following words. The Sudanese Shuffle we were waiting for the train which was waiting for us until the train had waited for us and perhaps we had been waiting for the train for some days now when we started. we were starting in the train when we stopped and waited and went again and when we went we hardly went at all while the wheels rolled around at the onset. after the onset we set out to the desert and all its dreams, while the wheels would roll round and then stop, and then sound like they’d never be starting again. just as slow now as slowness can get and we still haven’t quite got there yet. |
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Ron Emmonsis a British writer and photographer based in Chiang Mai, Thailand. Categories
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