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 Reflections on Ian McEwan's novel, Lessons Way back in the 1970s, when I was in my 20s, I chanced upon a book that affected me profoundly. Here at last, I thought, is a writer who lives in my world, with all its weirdness and complexity, and can convey it beautifully in prose. The book was First Love, Last Rites, a collection of short stories by a guy called Ian McEwan, and I became an instant fan. Since then, I’ve read most, though not all, of his work – most recently his longest novel of all, Lessons. Lessons is basically a biography of Roland Baines, who has much in common with McEwan – same age, same upbringing, same boarding school education – though presumably McEwan was never tutored at the piano as is Roland, with a complete sex education thrown in. The wonder of Roland, a ‘serial monogamist’, is that he’s not a superhero, just an average guy who muddles his way through life, reacting to situations such as being abandoned by his wife and left with their tiny baby while she goes off to become a famous writer. In a way, Roland is summed up by his part-time professions – tennis coach for the elderly, greeting-card writer and piano player of ‘munch music’ in fancy London hotels; a jack of all trades but master of none. Yet Roland’s a likeable guy, and we tend to root for him as he tries to lose his virginity at the age of 14 before the Cuban missile crisis destroys the world because he doesn’t want to die a virgin. He also smuggles books and records into East Germany before the Wall comes down, avoids using the London Underground after terrorist bombs go off and sits out several lockdowns due to the Covid pandemic. It’s a strange feeling when you’re reading about a fictional character and suddenly think “The author’s writing about me!” So it was as I read about Roland near the end of Lessons: “He was plausible within the digital age, like a man in a cunning disguise, but he remained a citizen of the analogue world.” The epic scale of this novel brings to mind the marvellous Any Human Heart by William Boyd, which follows the life of a writer against a similar backdrop of world events during the 20th century. These references to shared problems of the past help us as readers to sympathize with the protagonist’s inability to steer a comfortable course through his existence. As for the ‘Lessons’ of the title, like the rest of us Roland doesn’t seem to learn from his experiences, whether they be joyful or painful, though he does revisit the most powerful emotional connections from his past, namely the piano tutor and his estranged wife, for poignant end-of-life reunions. On another level, I wonder whether McEwan is hinting that we humans should learn lessons from the tragic world events that chart the course of this book. Towards the end, his concerns are with the unchecked future of Artificial Intelligence and the fact that we are now beyond preventing a 1.5-degree temperature rise that many say will signal the end of our species. I can’t help but think that McEwan wanted to publish this work before it is too late and we are expelled from Planet Earth for not learning our lessons.
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 Photo by Paul Silvan on Unsplash I've been watching heated arguments recently in the UK Houses of Parliament that remind me of kids squabbling over sweets in a school playground, and I'm thinking "These are the people that run my country!"
I'm reminded of a passage in a novel I'm re-reading at the moment – News from Nowhere by William Morris. Written in 1890, it's about a man named William Guest who falls asleep and wakes up in the 21st century to find the grimy, stinky, noisy London of the Victorian era transformed into a peaceful, friendly, unpolluted utopia, where society is so enlightened and advanced that there is no need for money, policemen, prisons, or – get this – government! As Guest is walking around with Dick, his companion from the future, he says "Why, there are the Houses of Parliament! Do you still use them?" Dick answers, "Use them? Well, yes, they are used for a sort of subsidiary market, and a storage place for manure. " Let's hope that the recent antics in this hallowed building are an indicator that we're well on the way to Morris' utopia, and that eventually this building will serve its rightful purpose – for storing manure. A review of the novel Bangkok Wakes to Rain  Everybody knows that Bangkok will drown one day. It sits a precarious 1.5 metres above sea level, which continues to rise steadily due to climate change, while the city is sinking under the weight of its concrete jungle by a few centimetres each year. Some give it ten years, others fifteen. For the city’s 10 million or so inhabitants, this is a cause for concern, and the government’s efforts to stave off the inevitable with multi-million dollar flood barriers have all the pathos of a madman trying to hold back the tide.
The scenario is ripe for a dystopian novel, which Pitchaya Sudbanthad has provided in the form of Bangkok Wakes to Rain. This wildly ambitious debut novel jumps back and forth through the city’s history from the mid-19th to the mid-21st century, and by the end all that remains of the former capital are the tops of the tallest skyscrapers, with floodwaters splashing at their windows. The Ebola virus has certainly captured the world's attention, especially now it's moved into Europe and the USA. The first outbreak of this deadly virus occurred in 1976, when it was more commonly known as the Green Monkey Disease, since it was thought to have originated in a particular type of monkey. I happened to be travelling in South Sudan at the time, and was devastated to find many villages deserted, their inhabitants either struck down by the disease or having fled to escape its contagious grip.
Some years later, when I was preparing a book of short stories as part of my M.A. in English (Creative Writing) at San Francisco State University, I used my visit to this obscure part of the world as the basis for a story called... THE GREEN MONKEY’S TALE The truck ploughed to a stop, sending clouds of red dust swirling into the dense jungle of the Central African Republic. As the haze cleared, a small boy became visible at the roadside, holding out the body of a dead monkey by the tail. He squinted at the driver and shouted. “Hey, mister! Fresh shot today! Only fifty francs!” “Let me see,” the driver responded, a gleam in his eye. “Fifty francs, hey? Well, take this for it.” He pushed three ten-franc notes into the boy’s hand, and swung the corpse onto the dashboard of the cab. The boy ran off into the undergrowth, pushing the notes into his ragged shorts, while the driver pulled away again, grinning at Chris, his English passenger. “Hey, man, now we have a feast tonight. You eat monkey before?” he asked, his white eyes shining from the deep caverns of his cranium. “No, Emille,” Chris answered, wincing at the thought. “I’ve eaten some strange things lately – snake, elephant, locusts – but never monkey.” The tiny skull of the animal seemed to sneer at him as it rocked on the dashboard like a stuffed toy. Its minute hands still clung to an imaginary branch and its green fur bristled.  Next for the chop in Extinctathon? I read an intriguing book recently--Oryx and Crake by Margaret Atwood. It’s a kind of ‘1984’ for the 21st century, a post-apocalyptic novel (date unspecified) that mentions various factors, such as rising sea levels flooding major cities, holes in the ozone layer and a pandemic along the lines of the Ebola virus (which has just re-appeared in Guinea in the last few days), which have wiped out virtually all life on the planet. All that remains are a few human survivors and genetically-modified life forms gone wild, like wolvogs, pigoons, and rakunks.
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Ron Emmonsis a British writer and photographer based in Chiang Mai, Thailand. Categories
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