A collection of short stories
Back in the 1980s, I studied an M.A in English (Emphasis: Creative Writing) at San Francisco State University. As part of the requirement for the degree, I wrote a collection of short stories called In Transit.
I recently pulled out a copy of this long-forgotten work, dusted off its yellowing pages, and have decided to share these stories on my website. They are mostly based on my own experiences and observations in Africa, South America and the USA, mixed with a heavy dose of imagination to be able to call it fiction. You’ll find these stories in a new section of my website called Short Stories, which I’ll be adding to as I dictate/transcribe the stories. I have begun with four stories, all set in Africa, and below is the first one--Beyond the End of the Road. I’ll be glad of any feedback that you would care to give. Happy reading!
Lost and found in the Sahara
I stood, literally, at the end of the road. The fresh tarmac ended in a neat ledge above the golden sand, and a clear blue sky pressed down on all horizons. From here, tyre tracks fanned out southwards into the vastness of the Sahara. It was only mid-morning, but already the sand burned my toes, which stuck out of my sandals. I pulled my pack under the sparse shade of a tree beside the last petrol station for 400 kilometres. All was silent, except for the rustle of leaves in a limp breeze.
Every journey has its point of no return and this had to be mine. I had followed the thin vein of my dream, a red line on a Michelin map of Africa, to where the road ended and the dust began. Beyond lay mystery—the infinite spaces of the Central Sahara, the biggest sandpit in the world and ghost of lush forests in former ages.
I had arrived the night before at In Salah just in time to see the bus pull out for Tamanrasset, the next stop on my route. The official told me the next bus was not for ten days. I wandered around the oasis. Mosquitoes droned above a stagnant pond surrounded by crumbling mudhuts and sagging palms. I walked out into the desert before lying down to sleep on my mat. In Salah—if God wills it. If God wills it, I will get a ride out of here tomorrow. If He wills not, then I will not either.
A review of the novel Bangkok Wakes to Rain
Everybody knows that Bangkok will drown one day. It sits a precarious 1.5 metres above sea level, which continues to rise steadily due to climate change, while the city is sinking under the weight of its concrete jungle by a few centimetres each year. Some give it ten years, others fifteen. For the city’s 10 million or so inhabitants, this is a cause for concern, and the government’s efforts to stave off the inevitable with multi-million dollar flood barriers have all the pathos of a madman trying to hold back the tide.
The scenario is ripe for a dystopian novel, which Pitchaya Sudbanthad has provided in the form of Bangkok Wakes to Rain. This wildly ambitious debut novel jumps back and forth through the city’s history from the mid-19th to the mid-21st century, and by the end all that remains of the former capital are the tops of the tallest skyscrapers, with floodwaters splashing at their windows.
Back when I was a bus driver for London Transport, I used to drive the number 47 between Catford and Shoreditch, crossing over the River Thames at London Bridge. Crossing the bridge several times each day, I developed a fondness for this huge span of granite that connected the different worlds of south and north London. However, as I passed back and forth, the bridge was being taken apart to be sold to a rich American, so the story went.
Many years later, when I was touring around the USA, I passed a turn-off signposted to the bridge, and my curiosity drew me to look at its new location in deepest Arizona. I found the bridge was the focal point of a tourist village at the entrance to Lake Haversu City, a far cry from the grimy streets of London.
Still later, when I penned several travelogues recounting my quirky travel adventures, I reflected on my different experiences of the bridge on either side of the Atlantic Ocean. London Bridge Revisited is one of the stories in the collection called Searching for Shangri-La, which is available as an ebook or paperback on Amazon.
I have also posted the story on this site, and if you’re curious to know what it’s like to drive a bus in London or visit a tourist village in Arizona, click here to read or listen to the ten-minute tale.
I love working as a travel writer, especially when it involves complimentary rooms in 5-star hotels. The trouble is, I’m not really a 5-star person, and I don’t feel comfortable with people bowing and scraping before me as if I’m in some way superior.
A recent experience in Myanmar reminded me of this discomfort. The awkwardness began when the porter brought my bags to my luxurious room, pointed out the controls for the air-con and TV, then hovered in the doorway. Having just arrived in the country and withdrawn cash from an ATM, I only had large notes in my pocket, which I was loath to part with for a tip. After an icy moment, the porter left empty-handed.
One of my difficulties with 5-star living is that the fees I am paid for my work do not allow for expensive treats such as a drink from the minibar or a meal ordered through room service. If I succumb to one or two such indulgences, it costs me as much as a night in a budget hotel, somehow negating the benefit of a free night’s sleep. Sometimes I have found myself in 5-star resorts far from any restaurants or shops and have had little choice but to eat in the hotel restaurant, my stomach churning at the thought of what it is costing me.
I recently went on a trip to the Myeik (aka Mergui) Archipelago, in the Andaman Sea off the south coast of Myanmar (Burma). It's a place I had long wanted to visit, ever since reading Siamese White by Maurice Collis (check it out—a great read!). I spent five days in the company of a group of adventurous travellers, cruising around the archipelago, which consists of over 800 islands, mostly uninhabited.
It wasn't a perfect voyage, due largely to stormy weather, as it was the beginning of the monsoon season, but it was a wonderful break from work and my growing dependence on electronic gadgets—phone, laptop etc. I had a great time photographing deserted beaches, villages of Moken people (sea nomads) and, of course, stormy weather.
A story of mine about the archipelago will appear in the July/August issue of Fah Thai, Bangkok Airways inflight magazine, so if you happen to be on one of their flights in that time, look out for it. In the meantime, here's a small selection of images from my trip to give you a taste of this magical place.
Time to freshen up the website for the new year, so I’ve made a few additions and changes. Firstly, I’ve added a few scans of stories that appeared in printed magazines (an increasingly rare form of media!) during 2016. These are:
- Deep in the Delta, a photo essay on the Mekong Delta for Jetstar Asia magazine.
--Strange Town, a focus on Antananarivo, capital of Madagascar, for the South China Morning Post.
--Blissful Bloom, a story about the sacred lotus for Morning Calm (Korean Air inflight).
I’ve also changed the sample story from my collection ‘Searching for Shangri La’. ‘Sweeping Meditation’ is a chronicle of my changing attitudes to the fascinating activity of sweeping leaves. There’s also an audio version of the story, so rest your eyes for ten minutes and listen to the tale unfold.
Y'all know Wikipedia, dontcha? That wonderful bastion of philanthropy, the so-called ‘free’ encyclopaedia staffed by selfless sharers of essential information—one of the world’s ten most popular websites, written by the people, for the people?
Well, I got news for you—Wikipedia is wicked, and I don’t mean that in a ‘so bad it’s good’ way. I mean wicked, as in nasty, calculating and, worst of all, corrupt.
I’m sure I’m not the only photographer who has watched with dismay as online stock photo (or microstock) libraries have mushroomed over recent years. Why dismay? Well, I used to sell my travel stories to clients as a package of words and images, of which the images would often be worth half or more of the fee. Yet since these image libraries have expanded to cover every destination and topic under the sun, and since their images are available for use at US$1 or less, most publications I work for now want me to provide text only, which means I’ve lost about half my previous income.
Usually when I travel, I’m updating a guidebook, so I’m rushing around from dawn to late, checking hotels and restaurants for inclusion in the next edition of the guide. But a few weeks ago I lucked out, spending ten days on a Pandaw cruise around Ha Long Bay and the Red River Delta in Vietnam in order to write and photograph a story about it for the company’s magazine, as it was a new route that they wanted to publicise.
Loved it! Sprawled on a sun lounger, taking in the endless change of view, from towering karst outcrops to container cranes, brick kilns, fields of rice and passion fruit, locals waving from the riverbank. Wandering around small villages, watching water puppet shows, seeing conical hats made, listening to traditional songs sung by teenagers. Writing a few notes about the experience and getting to know my fellow passengers, gorging on gourmet food three times a day. Following are a few images from the trip.
If you want to read the full story, take a Pandaw cruise and read it in the Pandaw Magazine while aboard, or sign up as a subscriber on their website—www.pandaw.com.
Restoration at My Son
The My Son complex of Cham temples located in a lush valley around 40km from Hoi An is one of Vietnam's World Heritage sites and brings a steady stream of visitors every day to view the ruins of a once-powerful civilization. However, many of the ruins were in such a decrepit state that they gave little idea of how the site once was. Now a sensitive restoration project by UNESCO has brought back to life Group G of these temples, and ongoing work is transforming the ruins of Group E, which dates back to the 8th century.
is a British writer and photographer based in Chiang Mai, Thailand.