Will weed be fully legalized?
Thailand has attracted global attention through its recent delisting of cannabis as a narcotic, which came into effect on 9 June 2022. The country has also been buzzing, and I wrote about how cannabis is being used in cafes, restaurants, spas and clinics in my hometown of Chiang Mai for the South China Morning Post, which you can read here.
From the use of terms like ‘delisted’, ‘decriminalized’ and ‘legalized’, many people understand that cannabis can now be used freely. However, the government has stated that the only legitimate use is medicinal, and that levels of THC in the plant must be less than 0.2%, which won’t get anyone high.
In the couple of weeks since the delisting announcement, this story has changed day by day, and no doubt there will be further surprising announcements.
The first of several heritage walks
After almost two years of Covid-induced hibernation, a small group of intrepid individuals met to look into Chiang Mai’s history as part of the Payap University Lifelong Learning programme. The walk, led by Graham Jefcoate, focussed on the east bank of the Ping River. This was where Chiang Mai’s early farang (foreign) residents – an odd mix of missionaries and mercenaries – lived and worked in the late 19th century.
The walk began opposite the former First Church of Chiang Mai, which is now part of the Chiang Mai Christian School. It was designed and erected in the 1880s by Marion Cheek, a medical missionary turned teak trader who was one of the city’s most colourful foreign residents. Besides this church, he was responsible for building the first sturdy bridge over the river and the city’s first hospital.
I’m sad to hear of the death of Keith Mundy, a long-time friend and colleague, from prostate cancer in Bangkok.
I first met Keith in around 1975 when we were both living in hippy ‘squats’ in Sydenham, London – vast Victorian mansions adapted to a lifestyle radically different from their original intention, with their servants’ quarters, tennis court in the garden and so on.
We were never really close (Keith was always something of a loner) and we might never have met again if we had not shared the dream of teaching English abroad as a way to an exciting life, which we then both followed.
On the road from Mandalay
“It’s a win-win situation;” joked motorbike rider Win Win as we shook hands on our deal, “you take picture of beautiful Burma and I buy medicine to make my mother well”.
And that’s pretty much how it turned out, apart from losing Win Win at critical moments of the trip. He had a maddening habit of forgetting when he was supposed to pick me up, leaving me fuming at times when I thought he had abandoned me altogether.
We were standing on the steps of the 79 Living Hotel in Mandalay, and after some friendly haggling, we agreed that I would give Win Win eighty US dollars and he would take me everywhere I wanted to go on his motorbike for the next three days. My hitlist included the ancient cities around Mandalay, the hill station of Pyin Oo Lwin to the east and the cave temples at Po Win Taung, way out west, and Win Win knew them all, so off we went.
A review of 'Comrade Aeon's Field Guide to Bangkok'
There are plenty of guidebooks to Bangkok; I’ve even written one myself--Top Ten Bangkok, published by Dorling Kindersley (DK) Books. The problem is, they’ve all become obsolete since the arrival of Covid, for several reasons.
Firstly, there’s no demand for guidebooks as nobody’s travelling. Secondly, they’re out-of-date because most of the hotels, restaurants and attractions that they recommend have closed during the pandemic. And thirdly, researchers can’t travel to update their guides.
Yet fear not, for a recently published novel tells you all you need to know about Bangkok. Perhaps it’s fitting that in this topsy-turvy, ‘new normal’ world, we should eschew works of non-fiction and look to the world of fiction for insight into the Big Mango.
Set in Venezuela, California and Thailand
I’ve now posted the remaining stories from my collection titled In Transit, presented as part requirement for a Master’s in Creative Writing at San Francisco State University back in 1983.
Two stories are set in Venezuela (sadly much changed since those days) and another in California. I’ve also added one more, set in North Thailand, which was not part of the original collection but seems to ‘explore the responses of various characters to fundamental changes in their personal world’ as the abstract for these stories claims.
Happy reading—I’m eager for your comments.
A collection of short stories
Back in the 1980s, I studied an M.A in English (Emphasis: Creative Writing) at San Francisco State University. As part of the requirement for the degree, I wrote a collection of short stories called In Transit.
I recently pulled out a copy of this long-forgotten work, dusted off its yellowing pages, and have decided to share these stories on my website. They are mostly based on my own experiences and observations in Africa, South America and the USA, mixed with a heavy dose of imagination to be able to call it fiction. You’ll find these stories in a new section of my website called Short Stories, which I’ll be adding to as I dictate/transcribe the stories. I have begun with four stories, all set in Africa, and below is the first one--Beyond the End of the Road. I’ll be glad of any feedback that you would care to give. Happy reading!
Lost and found in the Sahara
I stood, literally, at the end of the road. The fresh tarmac ended in a neat ledge above the golden sand, and a clear blue sky pressed down on all horizons. From here, tyre tracks fanned out southwards into the vastness of the Sahara. It was only mid-morning, but already the sand burned my toes, which stuck out of my sandals. I pulled my pack under the sparse shade of a tree beside the last petrol station for 400 kilometres. All was silent, except for the rustle of leaves in a limp breeze.
Every journey has its point of no return and this had to be mine. I had followed the thin vein of my dream, a red line on a Michelin map of Africa, to where the road ended and the dust began. Beyond lay mystery—the infinite spaces of the Central Sahara, the biggest sandpit in the world and ghost of lush forests in former ages.
I had arrived the night before at In Salah just in time to see the bus pull out for Tamanrasset, the next stop on my route. The official told me the next bus was not for ten days. I wandered around the oasis. Mosquitoes droned above a stagnant pond surrounded by crumbling mudhuts and sagging palms. I walked out into the desert before lying down to sleep on my mat. In Salah—if God wills it. If God wills it, I will get a ride out of here tomorrow. If He wills not, then I will not either.
Enigmatic expressions on faces at the Bayon hint at a long-lost knowledge.
I was sorting through my images recently, looking for some good shots of Angkor to upload to image banks, when I was struck yet again by that blissful smile on the faces that gaze down from the towers of the Bayon, the centrepiece of Angkor Thom in Cambodia.
Originally over fifty towers featured four faces looking in the cardinal directions. Now only 37 towers remain, yet wherever you wander in the Bayon, these faces are looking at you.
Dancing in the desert
Way back in 1975, I embarked on a life of adventure. My first move was to leave my native England and take a job as a volunteer teacher in Sudan. I was part of a group of 50 native English speakers who were hired by the Sudanese government to improve the level of English in high schools throughout the country. I was assigned to teach in Sennar, a town on the Blue Nile to the south of Khartoum.
I was supposed to spend a few days in Khartoum for orientation before taking a train to Sennar, but what with attempted coups and a heavy rain season, I had to spend a month in the capital before any trains started running. When I eventually got on the train and set out on my big adventure, I had plenty of time to write, so I got out my pen and began to scrawl the following words.
The Sudanese Shuffle
we were waiting for the train
which was waiting for us
until the train had waited for us
we had been waiting for the train
for some days now
when we started.
we were starting in the train
when we stopped and waited
and went again
and when we went
we hardly went at all
while the wheels rolled around
at the onset.
after the onset we set out
to the desert and all its dreams,
while the wheels would roll round
and then stop, and then sound
like they’d never be starting again.
just as slow now as slowness can get
and we still haven’t quite got there yet.
is a British writer and photographer based in Chiang Mai, Thailand.